https://kimiam.cargo.site Kimia Amir-Moazami Wed, 22 Oct 2025 15:38:29 +0000 https://kimiam.cargo.site en https://kimiam.cargo.site/buffered_access Wed, 22 Oct 2025 15:38:29 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/buffered_access Buffered_Access Buffered_Access investigates how states use the legal principle of Ius sanguinis—the “right of blood”—to regulate diasporic bodies and movement. The project emerged from my personal experience of never being able to visit my family in Iran, and the questions raised by what might happen if I did. Iranian law defines anyone with an Iranian father as a citizen, regardless of birthplace or residence. For my family, this legal framework has made visiting the country difficult, compounded by fears passed down through generations. The installation is a mixed-media work comprising a looping video essay, a research booklet with screenshots from Chadegan, the place where my grandfather grew up and a sculptural cable carpet. Referencing Persian ornamentation, the black cables trace a fragile digital network across the floor, navigating memory, longing, and the invisible boundaries of belonging. <img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/bd445dcd99ae15f1fc6172089a83217d4c6597329df329ee4cb4c18d4c5af5ba/DJI_0072.JPG" data-mid="239742145" border="0" src="https://freight.cargo.site/w/1000/i/bd445dcd99ae15f1fc6172089a83217d4c6597329df329ee4cb4c18d4c5af5ba/DJI_0072.JPG" /> <img width="2922" height="3896" width_o="2922" height_o="3896" data-src="https://freight.cargo.site/t/original/i/8aff5da081462a4bb84d619567ddf27ae1bc51b60fa24038795d4a8f730172ea/IMG_1010.jpg" data-mid="239742664" border="0" src="https://freight.cargo.site/w/1000/i/8aff5da081462a4bb84d619567ddf27ae1bc51b60fa24038795d4a8f730172ea/IMG_1010.jpg" /> The video incorporates street-view images uploaded by people in Iran, as platforms like Google Street View do not exist there. These images offer personal views of a space that remained physically difficult to access for me. The research for this work has shown that in some cases, the actual legal barrier is not as strong as the emotional one. A fear amplified by Western media and warnings from the German Office for Foreign Affairs, particularly for dual passport holders, extends the reach of the regime beyond its actual apacity and focus. <img width="730" height="473" width_o="730" height_o="473" data-src="https://freight.cargo.site/t/original/i/a1ef3fab2f1acdb7d288f6a307c071d7b4dad6cd67396e19438e298c5d4d8f7d/106.jpg" data-mid="239758466" border="0" src="https://freight.cargo.site/w/730/i/a1ef3fab2f1acdb7d288f6a307c071d7b4dad6cd67396e19438e298c5d4d8f7d/106.jpg" /> <img width="730" height="473" width_o="730" height_o="473" data-src="https://freight.cargo.site/t/original/i/d6a562f79946b04f3570cdbb8e23b31ef6fb0b986b979a2abca757a56a6d17ec/104.jpg" data-mid="239758465" border="0" src="https://freight.cargo.site/w/730/i/d6a562f79946b04f3570cdbb8e23b31ef6fb0b986b979a2abca757a56a6d17ec/104.jpg" /> <img width="730" height="473" width_o="730" height_o="473" data-src="https://freight.cargo.site/t/original/i/d2049ae1b54b6fe1ef589fed4454ba62d44f4f807318b5fccb0ec85ce6b73fc7/102.jpg" data-mid="239758463" border="0" src="https://freight.cargo.site/w/730/i/d2049ae1b54b6fe1ef589fed4454ba62d44f4f807318b5fccb0ec85ce6b73fc7/102.jpg" /> <img width="730" height="473" width_o="730" height_o="473" data-src="https://freight.cargo.site/t/original/i/384d604fecdb6bdbc18da56059772dd8c53f0d2aa70d65640c8786910ce30bee/Friont.jpg" data-mid="239758461" border="0" src="https://freight.cargo.site/w/730/i/384d604fecdb6bdbc18da56059772dd8c53f0d2aa70d65640c8786910ce30bee/Friont.jpg" /> <img width="730" height="473" width_o="730" height_o="473" data-src="https://freight.cargo.site/t/original/i/384d604fecdb6bdbc18da56059772dd8c53f0d2aa70d65640c8786910ce30bee/Friont.jpg" data-mid="239758461" border="0" src="https://freight.cargo.site/w/730/i/384d604fecdb6bdbc18da56059772dd8c53f0d2aa70d65640c8786910ce30bee/Friont.jpg" /> The video will be accessible here after Dutch Design Week 2025.See the work in person at the Graduation Show of the Design Academy Eindhoven. https://kimiam.cargo.site/lichtuhr Wed, 23 Jun 2021 11:58:02 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/lichtuhr The Light Clock - Between Sun and Server A beam of light meets the mirrored rod, casting a reflection and a shadow that glides across the ground, in an asynchronous dialogue. This installation, a modern echo of the sundial, speaks to the ancient rhythm of light and darkness - the time of the seasons, of sleep, of energy. But here it meets the fragile independence of artificial light, born of our desire to transcend the sun's planetary power. In the Light Clock, time is no longer singular. It is multi-layered, it drifts, splits, converges. The clock becomes a choreography of discrepancy. It reflects how, in a world of 24/7 illumination, our internal clocks falter, and reminds us of the fracture between what we live by and what we are made for. Winner of the OSRAM Light Art Award 2017&nbsp; Installation and video &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/792ba85422ab99174d84fd9d8185f176726ead6f757a6107affa1af19530e4bf/Canon-Canon-EOS-5D-Mark-II-4080x2720-026700.jpg" data-mid="235927993" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/792ba85422ab99174d84fd9d8185f176726ead6f757a6107affa1af19530e4bf/Canon-Canon-EOS-5D-Mark-II-4080x2720-026700.jpg" /> <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/8513bd333406e07b027f2c3c2b1b9d1000ab8c01a9830baed7a05b1857b0fe35/Canon-Canon-EOS-5D-Mark-II-4080x2720-026688.jpg" data-mid="235927996" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/8513bd333406e07b027f2c3c2b1b9d1000ab8c01a9830baed7a05b1857b0fe35/Canon-Canon-EOS-5D-Mark-II-4080x2720-026688.jpg" /> <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/ee5543a36a51b1263c311bd631d1201da6d8e87a86f10ff554e56c72c7f22368/Canon-Canon-EOS-5D-Mark-II-4080x2720-026704.jpg" data-mid="235927995" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/ee5543a36a51b1263c311bd631d1201da6d8e87a86f10ff554e56c72c7f22368/Canon-Canon-EOS-5D-Mark-II-4080x2720-026704.jpg" /> <img width="1462" height="2048" width_o="1462" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ad7bc0568ee9142021352ccf432f8969b068443d60f3c0982d7da9a2ee87cbcf/NORITSU-KOKI-EZ-Controller-1462x2048-026785.jpg" data-mid="112133178" border="0" src="https://freight.cargo.site/w/1000/i/ad7bc0568ee9142021352ccf432f8969b068443d60f3c0982d7da9a2ee87cbcf/NORITSU-KOKI-EZ-Controller-1462x2048-026785.jpg" /> <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/3191e83d6ff4a5bf4cbba0bbe3c02f2a143bec265615e25bf3d33e5bfb23b914/lichtuhr_set_sw.jpg" data-mid="235536002" border="0" src="https://freight.cargo.site/w/1000/i/3191e83d6ff4a5bf4cbba0bbe3c02f2a143bec265615e25bf3d33e5bfb23b914/lichtuhr_set_sw.jpg" /> <img width="4080" height="2720" width_o="4080" height_o="2720" data-src="https://freight.cargo.site/t/original/i/e4ab52e15706c07377e62d51d82d977100646e95a5583ff45b8474755b3c2a37/Canon-Canon-EOS-5D-Mark-II-4080x2720-026671.jpg" data-mid="112133427" border="0" src="https://freight.cargo.site/w/1000/i/e4ab52e15706c07377e62d51d82d977100646e95a5583ff45b8474755b3c2a37/Canon-Canon-EOS-5D-Mark-II-4080x2720-026671.jpg" /> https://kimiam.cargo.site/artificial-fossils Wed, 23 Jun 2021 11:58:03 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/artificial-fossils Artificial Fossils Sand-ripple fossils serve as records of ancient atmospheres and hydrodynamic patterns—an archive through which we can interpret climate, weather, and ecological conditions of other times. Leaving us hints to the climatic shifts our planet has undergone. Artificial Fossils reflects on how engineered coastal management reshapes both landscape and geological memory. At coast in Westenschouwen, situated beside the Oosterschelde storm-surge-barrier (part of the Dutch Delta Works), sand replenishment and sluice regulation continuously alter natural sediment flows. These interventions disrupt the coast’s ecological rhythms and rewrite the “information” embedded in stratified layers of sand. At the site, I documented the fine topographies of sand ripples and transformed them into 3D models. Using sand collected on 25 January 2025, I cast a series of artificial fossils, material traces preserving a transforming record of weather, tide, and human interferenc The work considers how the infrastructures designed to stabilise the Dutch coast also manipulate the sedimentary archive, leaving behind ambiguous layers. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="1759" height="989" width_o="1759" height_o="989" data-src="https://freight.cargo.site/t/original/i/9359b11109c64d3abee68e785700da1df293487fca1c247de3f201a123102462/IMG_3431.jpg" data-mid="239727512" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/9359b11109c64d3abee68e785700da1df293487fca1c247de3f201a123102462/IMG_3431.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="1924" height="2565" width_o="1924" height_o="2565" data-src="https://freight.cargo.site/t/original/i/ed6c185553c1d6dfc2298501048a2f0a9d78a0398e4469e8d4f688039886d27f/DSC08522-2.jpg" data-mid="239832733" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/ed6c185553c1d6dfc2298501048a2f0a9d78a0398e4469e8d4f688039886d27f/DSC08522-2.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="2131" height="1524" width_o="2131" height_o="1524" data-src="https://freight.cargo.site/t/original/i/67e34d48d7273ac2cfba9d647224f99a03978585b071f31ac3fc14ecd3faef3b/Bildschirmfoto-2025-07-22-um-17.12.46.png" data-mid="239729036" border="0" src="https://freight.cargo.site/w/1000/i/67e34d48d7273ac2cfba9d647224f99a03978585b071f31ac3fc14ecd3faef3b/Bildschirmfoto-2025-07-22-um-17.12.46.png" /> <img width="1837" height="1022" width_o="1837" height_o="1022" data-src="https://freight.cargo.site/t/original/i/7674b57ced2a5d6c87bd3c94a7ecd0c34960753efdb9f0a0b0440ce54c79e132/IMG_3432.jpg" data-mid="239727145" border="0" src="https://freight.cargo.site/w/1000/i/7674b57ced2a5d6c87bd3c94a7ecd0c34960753efdb9f0a0b0440ce54c79e132/IMG_3432.jpg" /> <img width="1747" height="981" width_o="1747" height_o="981" data-src="https://freight.cargo.site/t/original/i/41754e6a815f12383f577d8476c7b5f4778a9d8333910a3326d19c195f0361c2/IMG_3430.jpg" data-mid="239727511" border="0" src="https://freight.cargo.site/w/1000/i/41754e6a815f12383f577d8476c7b5f4778a9d8333910a3326d19c195f0361c2/IMG_3430.jpg" /> <img width="1810" height="1018" width_o="1810" height_o="1018" data-src="https://freight.cargo.site/t/original/i/0f2b30dcd470686fdede2786dfb2be9a43b7214829e653ee884f54a03c0cd7fa/IMG_3434.jpg" data-mid="239705493" border="0" src="https://freight.cargo.site/w/1000/i/0f2b30dcd470686fdede2786dfb2be9a43b7214829e653ee884f54a03c0cd7fa/IMG_3434.jpg" /> All original footage © 2024 Kimia Amir-Moazami Found footage: “Dynamics of Wave Ripples” by MIT Geomorphology Used under fair use / adapted (color adjusted) Original video: https://www.youtube.com/watch?v=zRGuMddjRGg Photo credits: Fossil photographs by Peter Kroschinsky. All other photographs by Kimia Amir-Moazami. https://kimiam.cargo.site/uncanny-valley-feelings Wed, 23 Jun 2021 15:51:00 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/uncanny-valley-feelings Uncanny Valley Feelings This series of sculptural objects investigates the space between the human and the artificial. Each form begins with a physical imprint of the body, later abstracted through digital modeling. The result: shapes that feel organic yet unfamiliar, bodily but estranged. Glaze and material experiments mimic skin: textured, folded, imperfect. These features evoke the Uncanny Valley effect, where near-human forms provoke unease. The works reflect on how contemporary aesthetics increasingly blur the line between simulation and embodiment. Reaching toward material traces of intimacy. <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/14fac9560bc828ed2fdcf50923dac30744fdc73e44614fb0efdcc2cec38c70ce/Apple-iPhone-6-2448x3264-027366_r.jpg" data-mid="235870293" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/14fac9560bc828ed2fdcf50923dac30744fdc73e44614fb0efdcc2cec38c70ce/Apple-iPhone-6-2448x3264-027366_r.jpg" /> <img width="1800" height="2400" width_o="1800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/fbb15ea0ff5269b5f54706b4ad4f1a1c5528b34767793168d3923174fdaefd4d/printer_negativ.jpg" data-mid="235922499" border="0" src="https://freight.cargo.site/w/1000/i/fbb15ea0ff5269b5f54706b4ad4f1a1c5528b34767793168d3923174fdaefd4d/printer_negativ.jpg" /> <img width="2088" height="2782" width_o="2088" height_o="2782" data-src="https://freight.cargo.site/t/original/i/0601ad602b1cc8c34704be1ac60740afea87cdd238868b4d7e4a1f9221caf859/Apple-iPhone-6-2088x2782-000175_r.jpg" data-mid="235921954" border="0" src="https://freight.cargo.site/w/1000/i/0601ad602b1cc8c34704be1ac60740afea87cdd238868b4d7e4a1f9221caf859/Apple-iPhone-6-2088x2782-000175_r.jpg" /> <img width="1712" height="2282" width_o="1712" height_o="2282" data-src="https://freight.cargo.site/t/original/i/ca42c952f491c324f0382bbc23c6da0652bc241afcd1910e20d823d48b5254f1/Photos-1.0.1-2400x2400-027745_r.jpg" data-mid="235922785" border="0" src="https://freight.cargo.site/w/1000/i/ca42c952f491c324f0382bbc23c6da0652bc241afcd1910e20d823d48b5254f1/Photos-1.0.1-2400x2400-027745_r.jpg" /> <img width="2400" height="2400" width_o="2400" height_o="2400" data-src="https://freight.cargo.site/t/original/i/133705ccc79b043e50f18d28697bae07fe47131a4e412cca27d6f5842965b403/Adobe-Photoshop-CC-Macintosh-2400x2400-027477.jpg" data-mid="117606264" border="0" src="https://freight.cargo.site/w/1000/i/133705ccc79b043e50f18d28697bae07fe47131a4e412cca27d6f5842965b403/Adobe-Photoshop-CC-Macintosh-2400x2400-027477.jpg" /> <img width="2400" height="2400" width_o="2400" height_o="2400" data-src="https://freight.cargo.site/t/original/i/622105258ab482bf87d41c2b7ff8c309685661a438f568aa1c39f774beca702a/Adobe-Photoshop-CC-Macintosh-2400x2400-027484.jpg" data-mid="117606454" border="0" src="https://freight.cargo.site/w/1000/i/622105258ab482bf87d41c2b7ff8c309685661a438f568aa1c39f774beca702a/Adobe-Photoshop-CC-Macintosh-2400x2400-027484.jpg" /> <img width="2400" height="2400" width_o="2400" height_o="2400" data-src="https://freight.cargo.site/t/original/i/7042a4052f1c910551554ce52f5db7417b25433f9be104375a060b144ac2255c/Adobe-Photoshop-CC-Macintosh-2400x2400-027490.jpg" data-mid="117606465" border="0" src="https://freight.cargo.site/w/1000/i/7042a4052f1c910551554ce52f5db7417b25433f9be104375a060b144ac2255c/Adobe-Photoshop-CC-Macintosh-2400x2400-027490.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/ab1739d136f190efa13f107bd367dba1b37c77750d75eb88fb66449c0f3566a3/-1280x720-027295.jpg" data-mid="117606500" border="0" src="https://freight.cargo.site/w/1000/i/ab1739d136f190efa13f107bd367dba1b37c77750d75eb88fb66449c0f3566a3/-1280x720-027295.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f52af2a3dc97ee551fd1412e706d4c29ba8f522538ccf95b7002bd421c7fc924/-1280x720-027301.jpg" data-mid="117606501" border="0" src="https://freight.cargo.site/w/1000/i/f52af2a3dc97ee551fd1412e706d4c29ba8f522538ccf95b7002bd421c7fc924/-1280x720-027301.jpg" /> https://kimiam.cargo.site/1-1-1 Tue, 22 Jul 2025 13:25:23 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/1-1-1 Before industrialisation, handmade goods were the norm — carefully crafted, high in quality, and correspondingly precious. As a result, possessions were valued, repaired repeatedly, and passed down through generations. Production cycles were slow, naturally aligned with the rhythms of the resources used. The invention of electricity marked a turning point: it accelerated manufacturing, enabled rapid extraction and processing of materials, and drastically lowered costs. This shift laid the foundation for the capitalist structures we live within today. Consumption is now rarely driven by necessity — but by emotion. <img width="2464" height="3486" width_o="2464" height_o="3486" data-src="https://freight.cargo.site/t/original/i/77c46a9cc53fa1aa74b1232294b5108d12d45ddca821fcb8c595592d600e0d9a/04.02.20_Kimia_Amir-Moazami_LOWRES_12.JPG" data-mid="236133671" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/77c46a9cc53fa1aa74b1232294b5108d12d45ddca821fcb8c595592d600e0d9a/04.02.20_Kimia_Amir-Moazami_LOWRES_12.JPG" /> <img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1060b183030f9ad551d7d7d02a83ffc2683e19cb260a847604c9dd3cdd9cd8ec/04.02.20_Kimia_Amir-Moazami_LOWRES_1.jpg" data-mid="236133658" border="0" src="https://freight.cargo.site/w/1000/i/1060b183030f9ad551d7d7d02a83ffc2683e19cb260a847604c9dd3cdd9cd8ec/04.02.20_Kimia_Amir-Moazami_LOWRES_1.jpg" /> <img width="1463" height="2048" width_o="1463" height_o="2048" data-src="https://freight.cargo.site/t/original/i/92eaae587b0c70af77eb28dad7d318a248874b5374111a318041257442947534/04.02.20_Kimia_Amir-Moazami_LOWRES_3.jpg" data-mid="236133666" border="0" src="https://freight.cargo.site/w/1000/i/92eaae587b0c70af77eb28dad7d318a248874b5374111a318041257442947534/04.02.20_Kimia_Amir-Moazami_LOWRES_3.jpg" /> 1+1 is a textile composed of two threads: one synthetic and pre-dyed, the other natural and untreated. The natural fiber can be selectively colored with natural dyes that leave the synthetic thread untouched. These colors are not permanent — they fade, shift, and can be renewed with each season. This deliberate instability introduces a glitch into the conventional production cycle. Instead of discarding the old to make way for the new, the fabric invites ongoing transformation. It becomes a living material — responsive, changeable, and enduring. By embedding the tension between permanence and impermanence into the textile itself, 1+1 reflects on the reality of overconsumption. It visualizes a system of renewal rather than replacement — suggesting that sustainability can’t simply be woven into a fabric, but must emerge from our behavior and the way we engage with what we wear. <img width="281" height="421" width_o="281" height_o="421" data-src="https://freight.cargo.site/t/original/i/400aa536b174bd2055569b1751dda8ce8d1dba9369df40f76a1134530cae0d23/04.02.20_Kimia_Amir-Moazami_LOWRES_2.jpg" data-mid="236133663" border="0" src="https://freight.cargo.site/w/281/i/400aa536b174bd2055569b1751dda8ce8d1dba9369df40f76a1134530cae0d23/04.02.20_Kimia_Amir-Moazami_LOWRES_2.jpg" /> <img width="281" height="421" width_o="281" height_o="421" data-src="https://freight.cargo.site/t/original/i/1c1f8fc808d73ab842779d1e9ed50bde0339d17d4332ada72bfb3bd9bc84b500/04.02.20_Kimia_Amir-Moazami_LOWRES_4.jpg" data-mid="236133664" border="0" src="https://freight.cargo.site/w/281/i/1c1f8fc808d73ab842779d1e9ed50bde0339d17d4332ada72bfb3bd9bc84b500/04.02.20_Kimia_Amir-Moazami_LOWRES_4.jpg" /> Pictures by Frangipani Beatt https://kimiam.cargo.site/vorkoster Tue, 31 Aug 2021 09:43:53 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/vorkoster How can we minimize food waste? EU legislation requires that most packaged foods be labelled with either a "use-by" or "best-before" date. While these indicators serve as important guidelines, the "best-before" date in particular is often misunderstood — contributing to the premature disposal of still-edible food. The discrepancy between regulation and perception becomes a site of waste. Vorkoster proposes a material-based intervention: a lid embedded with a pH-sensitive film that responds visibly to the spoilage of protein-rich foods. As the food degrades, the film changes color — providing a direct, analogue signal of freshness that operates independently of fixed dates. This simple object challenges the standardised notion of shelf life. Instead of relying on abstract timestamps, it engages directly with the material reality of food itself. It reframes expiration not as a number, but as a process — observable, responsive, and personal. In doing so, Vorkoster offers a speculative alternative to the packaging systems we currently depend on. It gestures toward a future in which decay is made visible, not prescribed. Developed in collaboration with the Fraunhofer Institute for Applied Polymer Research. &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <img width="188" height="190" width_o="188" height_o="190" data-src="https://freight.cargo.site/t/original/i/3b0b1bebea74e0c80c41a3ce25c1a9c6eb38bed98484be0a6ac7263b6b7894fa/Vorkoster_GIF.gif" data-mid="142294789" border="0" data-scale="100" src="https://freight.cargo.site/w/188/i/3b0b1bebea74e0c80c41a3ce25c1a9c6eb38bed98484be0a6ac7263b6b7894fa/Vorkoster_GIF.gif" /> <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/379b7a10d2098fc802a30bbbd2a0eaef5bba4f8f0f40c9437eeab0bbb3c10160/VORKOSTER_Kimia_Amir-Moazami_Final_Web_1.jpg" data-mid="117731606" border="0" src="https://freight.cargo.site/w/1000/i/379b7a10d2098fc802a30bbbd2a0eaef5bba4f8f0f40c9437eeab0bbb3c10160/VORKOSTER_Kimia_Amir-Moazami_Final_Web_1.jpg" /> <img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d40fc3c512e9e4f38f57392e1cf33b4dc97be2c2070a848e48a98636d488014e/VORKOSTER_Kimia_Amir-Moazami_Process_Web_12.jpg" data-mid="117731607" border="0" src="https://freight.cargo.site/w/1000/i/d40fc3c512e9e4f38f57392e1cf33b4dc97be2c2070a848e48a98636d488014e/VORKOSTER_Kimia_Amir-Moazami_Process_Web_12.jpg" /> <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/a892d8554526e137aa34d3451f5e9a47b96fa4e0fd4fdad4af940c80fe6937b9/VORKOSTER_Kimia_Amir-Moazami_Final_Web_2.jpg" data-mid="117731603" border="0" src="https://freight.cargo.site/w/1000/i/a892d8554526e137aa34d3451f5e9a47b96fa4e0fd4fdad4af940c80fe6937b9/VORKOSTER_Kimia_Amir-Moazami_Final_Web_2.jpg" /> To date, the Vorkoster has been recognised by the scientific and design community. The product has been rewarded with prizes and exhibitions. Design Indaba German Design Graduates Design Research Award Prototypesforhumanity Hessischer Staatspreis Universelles Design Kultur- und Kreativpilot*innen Secrid Talent Podium Pictures by Frangipani Beatt https://kimiam.cargo.site/about Wed, 23 Jun 2021 11:58:04 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/about &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="1511" height="2022" width_o="1511" height_o="2022" data-src="https://freight.cargo.site/t/original/i/c63049f50fd8ac0b28dc446524315cc797aa163084913cb0e9e7375a7276fe13/Apple-iPhone-5-1741x2718-000118.jpg" data-mid="235923731" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/c63049f50fd8ac0b28dc446524315cc797aa163084913cb0e9e7375a7276fe13/Apple-iPhone-5-1741x2718-000118.jpg" /> kimia amir-moazami is a designer and researcher based in berlin. She explores the intersections of design, technology, and geopolitics. Her work draws on critical design research and personal narrative, focusing on how systems of power shape bodies, access, and our relationship to ecological and material resources. She holds a BA in Product and Process Design from the UdK -&nbsp;University of the Arts Berlin and an MA in Geo-Design from the DAE -&nbsp;Design Academy Eindhoven. Her academic journey includes collaborations such as a design-science project with the Fraunhofer Institute for Applied Polymer Research. Kimia has worked across disciplines, including UX, interactive systems, and set/costume design. Her teaching experience includes tutoring at the UdK and leading the design curriculum at Heinz Berggruen Gymnasium in Berlin. Her work has been shown internationally at venues such as Dutch Design Week, Salone Satellite Milan, Global Grad Show Dubai, and the Museum of Design Atlanta. She has received several honors, including the Studienstiftung des deutschen Volkes scholarship, the German Design Graduates Award for Design Research, and the Culture and Creative Pilots Germany title. research - process&nbsp; - communication -&nbsp;research - process - communication -&nbsp;research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication &nbsp;- research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication -&nbsp;research - process&nbsp; - communication - research - process - communication - research - process&nbsp; - communication - research - process&nbsp; - communication - research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication &nbsp;- research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication - research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp;- research - process&nbsp; - communication&nbsp; Impressum Angaben gemäß § 5 TMG Kimia Amir-Moazami Fraenkelufer 38B 10999 Berlin Kontakt Telefon: +49 1778338971E-Mail: k.a.m@outlook.de &nbsp;Haftung für InhalteDie Inhalte unserer Seiten wurden mit größter Sorgfalt erstellt. Für die Richtigkeit, Vollständigkeit und Aktualität der Inhalte können wir jedoch keine Gewähr übernehmen. Als Diensteanbieter sind wir gemäß § 7 Abs.1 TMG für eigene Inhalte auf diesen Seiten nach den allgemeinen Gesetzen verantwortlich. Nach §§ 8 bis 10 TMG sind wir als Diensteanbieter jedoch nicht verpflichtet, übermittelte oder gespeicherte fremde Informationen zu überwachen oder nach Umständen zu forschen, die auf eine rechtswidrige Tätigkeit hinweisen. Verpflichtungen zur Entfernung oder Sperrung der Nutzung von Informationen nach den allgemeinen Gesetzen bleiben hiervon unberührt. Eine diesbezügliche Haftung ist jedoch erst ab dem Zeitpunkt der Kenntnis einer konkreten Rechtsverletzung möglich. Bei Bekanntwerden von entsprechenden Rechtsverletzungen werden wir diese Inhalte umgehend entfernen. Haftung für LinksUnser Angebot enthält Links zu externen Webseiten Dritter, auf deren Inhalte wir keinen Einfluss haben. Deshalb können wir für diese fremden Inhalte auch keine Gewähr übernehmen. Für die Inhalte der verlinkten Seiten ist stets der jeweilige Anbieter oder Betreiber der Seiten verantwortlich. Die verlinkten Seiten wurden zum Zeitpunkt der Verlinkung auf mögliche Rechtsverstöße überprüft. Rechtswidrige Inhalte waren zum Zeitpunkt der Verlinkung nicht erkennbar. Eine permanente inhaltliche Kontrolle der verlinkten Seiten ist jedoch ohne konkrete Anhaltspunkte einer Rechtsverletzung nicht zumutbar. Bei Bekanntwerden von Rechtsverletzungen werden wir derartige Links umgehend entfernen.© Kimia Amir-Moazami https://kimiam.cargo.site/Homepage Wed, 23 Jun 2021 11:58:04 +0000 Kimia Amir-Moazami https://kimiam.cargo.site/Homepage Dear viewer, welcome to this digital portfolio. My name is Kimia Amir-Moazami. I have a passion for interdisciplinary collaboration and strive to balance critical research, intelligible communication and artistic expression in my work. I focus on how systems of power shape bodies, access and our relationship to ecological and material resources. ︎︎︎&nbsp;