Uncanny Valley Feelings

This series of sculptural objects investigates the space between the human and the artificial. Each form begins with a physical imprint of the body, later abstracted through digital modeling. The result: shapes that feel organic yet unfamiliar, bodily but estranged.

Glaze and material experiments mimic skin: textured, folded, imperfect. These features evoke the Uncanny Valley effect, where near-human forms provoke unease. The works reflect on how contemporary aesthetics increasingly blur the line between simulation and embodiment. Reaching toward material traces of intimacy.